Books by
Stephen King
Books and reading profiles.
About the author71 books
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Apple Books
1974Fiction
245 pages · print
Dialogue-driven · Brisk pace
Apple Books
1975Fiction
594 pages · print
Atmospheric · Variable pace
Apple Books
1977Fiction
464 pages · print
Atmospheric · Moderate pace
Apple Books
1978Fiction
505 pages · print
Atmospheric · Variable pace
Apple Books
1978Fiction
1,153 pages · print
Atmospheric · Variable pace
Apple Books
1979Fiction
398 pages · print
Atmospheric · Moderate pace
Apple Books
1980Fiction
401 pages · print
Atmospheric · Brisk pace
Apple Books
1980Fiction
320 pages · print
Atmospheric · Brisk pace
Apple Books
1981Fiction
304 pages · print
Atmospheric · Brisk pace
Apple Books
1981Nonfiction
459 pages · print
Conversational · Variable pace
Apple Books
1982Fiction
320 pages · print
Atmospheric · Brisk pace
Apple Books
1982Fiction
508 pages · print
Atmospheric · Variable pace
Apple Books
1982Fiction
416 pages · print
Direct · Fast pace
Apple Books
1983Fiction
503 pages · print
Atmospheric · Moderate pace
Apple Books
1983Fiction
395 pages · print
Atmospheric · Measured pace
Open Library 1984Fiction
Atmospheric · Measured pace
Apple Books
1984Fiction
380 pages · print
Atmospheric · Moderate pace
Apple Books
1984Fiction
309 pages · print
Descriptive · Brisk pace
Apple Books
1985Fiction
573 pages · print
Atmospheric · Variable pace
Open Library 1985Fiction
692 pages · print
Atmospheric · Variable pace
Apple Books
1986Fiction
1,093 pages · print
Atmospheric · Variable pace
Apple Books
1987Fiction
338 pages · print
Atmospheric · Brisk pace
Bram Stoker Award for Novel
Apple Books
1987Fiction
406 pages · print
Atmospheric · Brisk pace
Apple Books
1987Fiction
652 pages · print
Atmospheric · Variable pace
Showing 24 of 71 books
About Stephen King
Stephen King is an American novelist and short-story writer whose work has made horror one of the most expansive forms in modern popular fiction. Maine recurs throughout his books not merely as scenery, but as a social world of families, schools, friendships, grudges, local histories, and private failures. Into these recognizable lives he introduces forces that magnify what is already present: addiction and inherited violence in The Shining, childhood loyalty and buried trauma in It, collective fear and political fracture in The Stand, or the coercive intimacy between writer and reader in Misery. King’s fiction is often driven as much by voice, community, and accumulating consequence as by supernatural threat. His narrators move easily among suspense, black comedy, sentiment, and sudden brutality, while his long novels give minor characters and ordinary routines unusual room to develop. Even when the premise is impossible—a telekinetic teenager, a haunted hotel, a civilization emptied by plague—the emotional pressures remain immediate. What distinguishes King is not simply his ability to invent monsters, but his instinct for locating the fear, longing, cruelty, and decency that allow those monsters to matter.
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