How long is it?
320 pages in the Vintage 1992 paperback edition.

About 6 h 30 min · at 30 minutes a day, about 13 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
Eleven-year-old Lucius Priest leaves Mississippi for Memphis in his grandfather’s stolen automobile, persuaded into the trip by family employee Boon Hogganbeck. Ned McCaslin, who also works for the family, stows away. At Miss Reba’s brothel, Lucius encounters an adult world his family has kept from him, while a supposedly lame racehorse entangles the travelers in gambling, horse smuggling and trouble with the law.
The comic adventure unfolds as an elderly Lucius tells his grandson about his boyhood. His adult recollections run through the boy’s bewilderment, so the literary coming-of-age story carries two perspectives at once: youthful discovery and an older man’s understanding.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Canonical
320 pages in the Vintage 1992 paperback edition.
Vintage · 1992 · Paperback. ISBN 9780679741923.
About 6 hours 30 minutes at 50 pages an hour, based on the 320-page Vintage edition. Dense books can take longer.
William Faulkner made the fictional Yoknapatawpha County, Mississippi, the setting for an exacting body of novels and stories about families, communities, and the burdens of Southern history. His fiction ranges among poor white laborers, Black Southerners, and declining aristocratic households, with particular attention to racial violence, class, religion, inheritance, and thwarted ambition. Faulkner’s characteristic methods are structural as much as verbal. Dense, carefully cadenced prose follows memory and obsession through stream of consciousness, abrupt shifts in time, and narrators whose accounts remain partial or unreliable. In The Sound and the Fury, the Compson family’s collapse emerges from several radically different perspectives, forcing chronology to be reconstructed from fragments. As I Lay Dying distributes a family’s funeral journey among fifteen narrators, exposing conflicting motives within a shared undertaking. Absalom, Absalom! pushes this method further as Quentin Compson and others repeatedly revise the story of Thomas Sutpen’s ruined dynasty, making conjecture and inherited testimony part of the novel’s account of slavery and patriarchal power.


