How long is it?
370 pages in the Vintage Books 1978 mass market paperback edition.

Fiction · Novel · Literary Fiction · Historical Fiction
About 7 h 30 min · at 30 minutes a day, about 15 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
In France in 1918, a corporal persuades three thousand French soldiers to refuse an order to attack. When the German troops opposite them also stop fighting, the mutiny threatens the authority of commanders on both sides. Across a week, Faulkner builds a Christian allegory around the corporal and his followers, asking how war can continue when the men ordered to wage it put down their weapons.
Dense language, extended arguments and interwoven episodes make the novel demanding to follow. Its treatment of war is philosophical and religious as well as physical, and the violence and suicide are serious subjects.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Canonical
370 pages in the Vintage Books 1978 mass market paperback edition.
Vintage Books · 1978 · Mass Market Paperback. ISBN 9780394724133.
About 7 hours 30 minutes at 50 pages an hour, based on the 370-page Vintage Books edition. Dense books can take longer.
William Faulkner made the fictional Yoknapatawpha County, Mississippi, the setting for an exacting body of novels and stories about families, communities, and the burdens of Southern history. His fiction ranges among poor white laborers, Black Southerners, and declining aristocratic households, with particular attention to racial violence, class, religion, inheritance, and thwarted ambition. Faulkner’s characteristic methods are structural as much as verbal. Dense, carefully cadenced prose follows memory and obsession through stream of consciousness, abrupt shifts in time, and narrators whose accounts remain partial or unreliable. In The Sound and the Fury, the Compson family’s collapse emerges from several radically different perspectives, forcing chronology to be reconstructed from fragments. As I Lay Dying distributes a family’s funeral journey among fifteen narrators, exposing conflicting motives within a shared undertaking. Absalom, Absalom! pushes this method further as Quentin Compson and others repeatedly revise the story of Thomas Sutpen’s ruined dynasty, making conjecture and inherited testimony part of the novel’s account of slavery and patriarchal power.



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