How long is it?
304 pages in the Atria Books 2025 hardcover edition.

Fiction · Novel · Literary Fiction · Historical Fiction
About 6 h · at 30 minutes a day, about 13 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
On a French battlefield near the end of World War I, American private Cyril Bagger survives by cheating at cards and keeping to burial duty behind the front line. Sent into No Man’s Land with four other soldiers to silence a wounded comrade’s screams, he finds a fallen angel instead. The men believe she could end the war, but each brings his own wishes and demands to the encounter.
The novel runs as one continuous sentence broken into paragraphs, its headlong rhythm carrying battlefield action into passages of elaborate sensory detail. Part war novel, part supernatural horror, it describes damaged bodies and physical suffering graphically.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
304 pages in the Atria Books 2025 hardcover edition.
Atria Books · 2025 · Hardcover. ISBN 9781668068458.
About 6 hours at 50 pages an hour, based on the 304-page Atria Books edition. Dense books can take longer.
Daniel Kraus writes horror and speculative fiction for young-adult and adult readers, moving among solo novels, formal experiments, and collaborations. He often builds narrative pressure into the form of a work. Whalefall tracks a diver’s dwindling oxygen through headings and breath-like chapter breaks, while alternating flashbacks connect the claustrophobic survival plot to unresolved grief over his father. Across Kraus’s fiction, bodily extremity becomes a way to examine family inheritance and estrangement. Rotters places grave robbing at the center of a severe father-son apprenticeship and seeks understanding and tenderness within repellent conduct. His research for Whalefall included interviews with whale scientists and diving experts. Kraus co-wrote The Shape of Water with Guillermo del Toro and completed The Living Dead using George A. Romero’s pages, notes, and earlier material. For the latter, he studied Romero’s films and creative rules before expanding the story into a nationwide collapse told through multiple social and undead viewpoints.
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