Do I need to read the earlier book first?
Yes, read Red Queen first. Glass Sword is the second novel in the Red Queen series and continues directly from the first novel.

Fiction · Novel · Fantasy · Science Fiction
About 9 h 15 min · at 30 minutes a day, about 19 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
Hunted by King Maven, Mare Barrow joins the Scarlet Guard and exiled prince Cal to find other Reds whose supernatural abilities threaten the Silver ruling class. She wants to recruit these “newbloods” into an army before Maven captures or kills them, but persuading frightened strangers to trust her proves difficult when she doubts even her closest allies.
Mare’s tense first-person narration dwells on suspicion and isolation, and the recruitment journey can become repetitive between battles. Strong violence and abuse accompany a restrained romantic storyline limited to longing, embraces and kisses. A YA dystopian fantasy sequel, Glass Sword continues directly from Red Queen, the first novel, which should be read beforehand.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Yes, read Red Queen first. Glass Sword is the second novel in the Red Queen series and continues directly from the first novel.
Not really, the prose is direct and conversational, and the structure is linear. Mare’s first-person narration focuses on suspicion and isolation rather than complicated storytelling.
The pace is fast, but recruiting people with supernatural abilities can become repetitive between battles. Mare’s difficulty trusting her allies keeps the mood tense through those stretches.
Strong violence and abuse are the main concerns. The tone is dark and tense, with Mare’s first-person narration dwelling on suspicion and isolation.
The content notes flag mild sexual content.
464 pages in the HarperTeen 2018 paperback edition.
HarperTeen · 2018 · paperback. ISBN 9780062310675.
About 9 hours 15 minutes at 50 pages an hour, based on the 464-page HarperTeen edition. Dense books can take longer.
Victoria Aveyard is an American writer of young adult fantasy and screenplays whose fiction joins political conflict to fast-moving, relationship-centered plots. Her prose is direct and often conversational, while her settings are organized around rules that make power immediately legible. In Red Queen, blood color fixes class and supernatural privilege, placing Mare Barrow between an impoverished population, a royal court, and a rebellion. That structure lets Aveyard move quickly between deception, combat, romantic tension, and changes of allegiance without losing sight of the institutions pressing on her characters. Glass Sword widens the story into pursuit and recruitment, as Mare searches for others whose abilities disrupt the ruling order. King’s Cage then divides attention between captivity and resistance, showing authority exercised through confinement, spectacle, fear, and personal attachment. Aveyard repeatedly returns to the burden of becoming a symbol and to the way inherited hierarchies turn intimate bonds into political leverage. Companion collections such as Broken Throne broaden the same world through alternate viewpoints, diary entries, maps, and shorter narratives.


