The Fault in Our Stars

Romance

First published: 2012
Print length: 576 pagesDutton Books for Young Readers, 2018

Description

Sixteen-year-old Hazel Grace Lancaster lives with thyroid cancer that has affected her lungs. At her mother’s urging, she attends a cancer support group, where she meets Augustus Waters, a teenage survivor whose osteosarcoma cost him a leg. Hazel and Augustus quickly form a bond and exchange favorite books. One novel, about a girl with cancer, becomes especially important to them because its abrupt ending leaves unanswered questions. Their search for answers leads to correspondence with the book’s reclusive author and sets up a planned journey to Amsterdam, where they hope to meet him in person.

Reading profile

About this profile

Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).

Writing: How much attention the sentences and language require.
Ideas: How much interpretation or abstract reasoning the book asks of you.
Structure: How much you need to keep track of speakers, timelines and connections.
Background knowledge: Prior knowledge needed to follow the book, beyond what it explains.
Emotional intensity: Emotional pressure, from gentle (1) to intense (5). Separate from difficulty.

Writing style

Conversational · Direct · Lyrical · Witty

Pace

Moderate

Tone

Humorous · Intimate · Melancholic · Reflective

Structure

Linear

Focus

Character · Relationships

Emotional intensity

5 / 5

Reading complexity

1–5 · higher means more demanding

Writing: 2 / 5
Ideas: 3 / 5
Structure: 2 / 5
Background knowledge: 1 / 5

Themes

Art and creativityComing of ageFriendshipLoveMortalityTrauma

About John Green

John Green writes young adult novels and personal essays in a conversational, quick-moving style that pairs jokes and intellectual curiosity with illness, grief, anxiety, and the difficulty of knowing another person. His narrators are often bright teenagers who turn uncertainty into a project: a search, a theorem, or a trail of clues. Those devices give the books momentum while exposing the limits of the explanations his characters want. In Paper Towns, Quentin follows Margo’s clues across suburbs and highways, only to confront how thoroughly he has mistaken an imagined version of her for knowledge. Turtles All the Way Down places a missing-person plot around Aza’s intrusive thoughts, letting repeated mental spirals interrupt romance, friendship, and the forward pull of mystery. The Fault in Our Stars likewise uses a journey to pursue answers from a reclusive novelist, but keeps its attention on Hazel and Augustus’s wary, witty exchanges and their lives with serious illness. In The Anthropocene Reviewed, Green carries the same curiosity into nonfiction, using five-star reviews of ordinary phenomena to join research, memory, vulnerability, and environmental change.