About 7 h 15 min · at 30 minutes a day, about 15 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
About the book
Florentino Ariza considers Fermina Daza the love of his life, but she ends their youthful courtship and marries Dr. Juvenal Urbino. In a Caribbean port city around the turn of the twentieth century, Urbino works to combat cholera while Florentino rises in the river-shipping business. As Fermina builds a married life, Florentino pursues hundreds of affairs while continuing to stake his future on his attachment to her.
Reader notes
Expansive and often comic, the narration moves back and forth through their lives in long, richly detailed paragraphs. The pace is leisurely, with descriptions and digressions taking precedence over steady plot movement. This is adult literary fiction about desire and enduring attachment, with explicit sex and sexual abuse.
How it reads
Writing style
Descriptive · Lyrical · Ornate · Witty
Tone
Melancholic · Reflective · Romantic · Wistful
Structure
Nonlinear
Driven by
Character · Ideas · Relationships
Point of view
Third person, omniscient
Setting
Unnamed Caribbean port city
Reading complexity
Writing
4 / 5
Ideas
4 / 5
Structure
4 / 5
Background knowledge
1 / 5
About this profile
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Writing
How much attention the sentences and language require.
Ideas
How much interpretation or abstract reasoning the book asks of you.
Structure
How much you need to keep track of speakers, timelines and connections.
Background knowledge
Prior knowledge needed to follow the book, beyond what it explains.
Emotional intensity
Emotional pressure, from gentle (1) to intense (5). Separate from difficulty.
Themes
Aging
Love
Marriage
Memory
Mortality
Obsession
Content notes
Violence
Mild
Sexual content
Strong
Swearing
Mild
Substance use
Mild
Abuse
Strong
Self-harm or suicide
Mild
Standing and awards
Canonical
Los Angeles Times Book Prizes, 1988
Bokklubben World Library
Everyman's Library
Author: Nobel Prize in Literature, 1982
Author: Neustadt Prize, 1972
Questions readers ask
Is it hard to read?
Somewhat. Long, richly detailed paragraphs and a narration that moves back and forth through the characters’ lives demand attention. The prose is ornate, lyrical and witty, with descriptions and digressions taking precedence over steady plot movement.
Is it a straightforward love story?
No. Florentino’s enduring attachment to Fermina sits alongside his hundreds of affairs and her married life with Dr. Juvenal Urbino. Love and marriage share the focus with obsession, aging, memory and mortality.
What strong content should I expect?
Strong sexual content, including explicit sex, and strong abuse, including sexual abuse, are present. Desire and enduring attachment are central to the adult literary story.
Is the mood mainly sad?
No. The narration is often comic, with wit alongside its melancholic, reflective and romantic tone. Its attention to desire, marriage and aging gives the comedy a wistful setting.
What’s the best way to approach it?
Take time with the descriptions and digressions, and follow the relationships as the narration moves between periods of the characters’ lives. The leisurely pace gives more space to character and ideas than to steady plot movement.
How long is it?
368 pages in the Vintage 2007 paperback edition.
Which edition is shown here?
Vintage · 2007 · Paperback. ISBN 9780307389732.
How long does it take to read Love in the Time of Cholera?
About 7 hours 15 minutes at 50 pages an hour, based on the 368-page Vintage edition. Dense books can take longer.
About the author
Gabriel García Márquez
Gabriel García Márquez (1927–2014) was a Colombian writer, journalist, and Nobel laureate whose fiction joins intimate experience to the political and historical life of Latin America. He left law school for journalism and became an outspoken critic of Colombian and international politics. Across his novels and stories, family memory, solitude, desire, violence, and failures of collective responsibility recur, but his approach changes with the subject. One Hundred Years of Solitude uses an expansive family chronicle and matter-of-fact magical events to trace how Macondo remembers and distorts its history, while the spare No One Writes to the Colonel centers on an aging veteran waiting for a pension from an indifferent state. In Chronicle of a Death Foretold, a fragmented reconstruction of an announced murder turns conflicting testimony and missed warnings into an account of communal failure. These different forms reflect García Márquez’s view that style is determined by subject and historical moment.