How long is it?
368 pages in the Random House Trade Paperbacks 2018 paperback edition.

About 7 h 15 min · at 30 minutes a day, about 15 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
In February 1862, President Abraham Lincoln visits a Georgetown cemetery to hold the body of his eleven-year-old son, Willie. Nearby, Willie's spirit waits among ghosts who call their coffins sick-boxes and insist they will return to their former lives. As they quarrel and recount their disappointments, the ghosts take an interest in the boy, who hopes his father will return.
Brief, overlapping monologues alternate with historical accounts, some real and some invented, in an experimental literary ghost story. Speakers are identified after their words, requiring some adjustment to the fragmented format. The tone ranges from bawdy comedy to intense sorrow over a child's death; suicide and abuse also enter the ghosts' stories.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Highly regarded
368 pages in the Random House Trade Paperbacks 2018 paperback edition.
Random House Trade Paperbacks · 2018 · paperback. ISBN 9780812985405.
About 7 hours 15 minutes at 50 pages an hour, based on the 368-page Random House Trade Paperbacks edition. Dense books can take longer.
George Saunders is an American writer whose fiction brings satire, absurdism, and moral inquiry to the pressures of contemporary life. Before joining the creative-writing faculty at Syracuse University, he worked as a technical writer and geophysical engineer. His later fiction repeatedly returns to workplaces, institutions, and systems that turn exploitation into routine. Collections including Pastoralia and Tenth of December place vulnerable people inside corporate, domestic, and military structures, using dark comedy, conversational voices, and abrupt shifts of perspective to test how sympathy survives fear and self-interest. In Persuasion Nation and The Brief and Frightening Reign of Phil, advertising and political rhetoric become engines of grotesque social behavior. Lincoln in the Bardo extends his experimental methods into the novel, assembling competing voices around grief and attachment. His nonfiction has a related practical focus: Swim in a Pond in the Rain studies Russian stories passage by passage, asking how narrative choices direct attention, expectation, and compassion. His work is distinguished by its combination of formal play, comic severity, and sustained ethical attention.


