How long is it?
368 pages in the Scribner 2025 ebook edition.

About 7 h 15 min · at 30 minutes a day, about 15 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
At fifteen, István lives with his mother in a Hungarian apartment block, isolated at school and drawn into a sexual relationship with a married neighbor close to his mother's age. The novel follows him across decades, through military service to London, where he works as a bouncer and then a wealthy family's driver. His physical strength earns him a living, while his intimate relationships entangle him with people who hold greater power.
Spare and emotionally detached, the literary novel proceeds through brief scenes and blunt, repetitive conversations, skipping years with little explanation of István's feelings. Sexual abuse is part of his adolescence, described plainly beneath the narration's restraint.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Highly regarded
368 pages in the Scribner 2025 ebook edition.
Scribner · 2025 · eBook. ISBN 9781982122812.
About 7 hours 15 minutes at 50 pages an hour, based on the 368-page Scribner edition. Dense books can take longer.
David Szalay is a novelist whose fiction tracks lives shaped by movement, money, bodily need, and uneven distributions of power. Contemporary Europe is his recurring terrain, with borders and class boundaries placing pressure on desire, masculinity, and belonging. He often builds narratives from discrete, mutually illuminating sections, leaving consequential episodes unstated so that character emerges through action, transition, and silence. All That Man Is links nine men at different ages and across Europe into a composite rather than a continuous plot. Flesh narrows that method to one inarticulate man over several decades, using terse prose and large chronological gaps to make readers infer the emotional history between scenes. Bleak circumstances are threaded with comedy rooted in vanity and self-absorption, without placing the author above his characters.
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