Books by
Charles Dickens
Books and reading profiles.
About the author15 books
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Apple Books
1800Fiction
415 pages · print
Descriptive · Moderate pace
Apple Books
1836Fiction
882 pages · print
Descriptive · Variable pace
Apple Books
1840Fiction
619 pages · print
Descriptive · Variable pace
Apple Books
1843Fiction
129 pages · print
Atmospheric · Brisk pace
Apple Books
1853Fiction
912 pages · print
Dense · Measured pace
Apple Books
1854Fiction
276 pages · print
Descriptive · Moderate pace
Apple Books
1859Fiction
397 pages · print
Atmospheric · Variable pace
Apple Books
1861Fiction
486 pages · print
Atmospheric · Measured pace
Apple Books
1911Fiction
27 pages · print
Conversational · Brisk pace
Apple Books
1925Nonfiction
238 pages · print
Direct · Brisk pace
Apple Books
1994Fiction
851 pages · print
Descriptive · Measured pace
Apple Books
2000Fiction
208 pages · print
Descriptive · Measured pace
Apple Books
Fiction
572 pages · print
Descriptive · Measured pace
Apple Books
Nonfiction
270 pages · print
Descriptive · Measured pace
Apple Books
Fiction
80 pages · print
Atmospheric · Variable pace
About Charles Dickens
Charles Dickens was an English Victorian novelist and social critic who made institutions visible through crowded plots, sharply distinguished characters, wit, and melodrama. His fiction moves readily between satire, sentiment, and Gothic unease, often placing children and other vulnerable people inside systems that classify, punish, or exploit them. In Oliver Twist, the workhouse and criminal underworld form an intersecting social network around an orphan, with biting satire keeping institutional cruelty in view. Great Expectations narrows that broad social scrutiny through Pip’s changing ambitions, using his progress from Kent to London to examine class, shame, loyalty, and self-deception. Dickens could also organize a novel around an explicit governing scheme. Hard Times divides its action into “Sowing,” “Reaping,” and “Garnering,” tracing how Gradgrind’s faith in facts and utility damages both family life and the industrial town beyond it. His descriptive, ornate prose frequently gives way to pointed dialogue, while elaborate plots press private loyalties against poverty, social rank, and public systems.
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