Is it hard to read?
Not really. The language is accessible and sometimes lyrical, and the story moves briskly. The difficulty comes from the emotional weight of Nazi persecution and concentration-camp brutality rather than demanding prose.

Fiction · Novel · Historical Fiction · Fantasy
About 3 h 30 min · at 30 minutes a day, about 8 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
Hannah Stern resents the repeated stories of Jewish suffering at her family's Passover Seder. Opening the door to welcome the prophet Elijah, she finds herself in a Polish village in 1942, surrounded by people who call her Chaya and believe she belongs among them. When Nazi soldiers arrive to deport the villagers, Hannah's knowledge of the Holocaust becomes a warning she cannot persuade anyone to believe.
The middle-grade historical novel uses time travel to connect family remembrance to lived experience. Its language is accessible and sometimes lyrical, but the emotional weight is heavy: Nazi persecution, concentration-camp brutality and mass murder are treated plainly, alongside friendship and the struggle to preserve a sense of humanity.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Highly regarded
Not really. The language is accessible and sometimes lyrical, and the story moves briskly. The difficulty comes from the emotional weight of Nazi persecution and concentration-camp brutality rather than demanding prose.
Strong violence and abuse are central, with Nazi persecution, concentration-camp brutality and mass murder treated plainly. Friendship and the struggle to preserve a sense of humanity sit alongside that suffering.
It suits middle-grade readers looking for historical fiction that confronts Holocaust suffering through a young character’s experience. The accessible language is paired with heavy emotional material about oppression, survival and remembrance.
Time travel connects Hannah’s resistance to family remembrance with lived experience: she leaves her family’s Passover Seder and finds herself in a Polish village in 1942. Her knowledge of the Holocaust becomes a warning she cannot persuade anyone to believe.
176 pages in the Puffin Books 1990 paperback edition.
Puffin Books · 1990 · Paperback. ISBN 9780140345353.
About 3 hours 30 minutes at 50 pages an hour, based on the 176-page Puffin Books edition. Dense books can take longer.
Jane Yolen was an American writer and editor whose unusually broad career ranged across children’s literature, fantasy, science fiction, historical fiction, poetry, and nonfiction. She brought a storyteller’s economy to very different forms, often using folklore, fairy tale, or speculative devices to make history and ordinary experience newly visible. In Owl Moon, patient observation and lyrical restraint turn a nighttime walk into an intimate rite; the playful How Do Dinosaurs Say Goodnight? enlarges a familiar family ritual through comic fantasy. Her historical writing could be darker and structurally more complex. The Devil’s Arithmetic sends a contemporary child into the Holocaust, while Briar Rose recasts Sleeping Beauty as a frame for recovered family history; Encounter revisits Columbus’s arrival from a Taino child’s wary perspective. Across these works, Yolen repeatedly joined accessible storytelling to questions of memory, inheritance, moral attention, and the ways stories carry the past. Her large body of work also included editing and collaborations with her children.


Kimberly Brubaker Bradley
Historical Fiction · Children's · Historical fiction





