How long is it?
384 pages in the Dial Press Trade Paperback 2014 paperback edition.

Fiction · Short Stories · Literary Fiction · Literary fiction
About 7 h 45 min · at 30 minutes a day, about 16 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
On South Pacific islands during World War II, American servicemen and nurses wait for orders and supplies while officers organize flights, build airstrips and prepare for combat. Navy nurse Nellie Forbush is drawn to French planter Emile de Becque, and Marine lieutenant Joe Cable becomes involved with Liat, the daughter of the Tonkinese trader Bloody Mary. Their relationships expose racial prejudices carried into the islands alongside the machinery of war.
Linked stories follow recurring characters across the bases, allowing bureaucratic absurdity and long stretches of waiting as much room as military action. The collection ranges from comic military frustrations to bloody combat, without following one protagonist or a continuous adventure.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
384 pages in the Dial Press Trade Paperback 2014 paperback edition.
Dial Press Trade Paperback · 2014 · Paperback. ISBN 9780812986358.
About 7 hours 45 minutes at 50 pages an hour, based on the 384-page Dial Press Trade Paperback edition. Dense books can take longer.
James A. Michener was an American writer whose career began during World War II, when he served in the U.S. Navy as a historian in the South Pacific. He worked across novels, short stories, and nonfiction, but became especially known for expansive historical fiction rooted in particular places. Books such as Hawaii, Chesapeake, and Alaska follow communities and families across generations, setting individual lives against migration, settlement, conflict, economic change, and the transformation of landscapes. Michener’s characteristic method was accumulation: he combined direct, descriptive storytelling with extensive historical, cultural, and geological research, often beginning far before the immediate human drama and moving toward the modern era. This scale allowed him to treat geography as more than a backdrop; regions become organizing subjects, shaped by successive peoples and competing claims. His nonfiction extended the same broad curiosity to travel, autobiography, and American sports. The result is a body of work distinguished by its panoramic reach, documentary patience, and sustained interest in how societies take form over time.







Chimamanda Ngozi Adichie
Short Stories · Literary Fiction · Literary fiction

