How long is it?
336 pages in the Vintage 2005 paperback edition.

Fiction · Novel · Literary Fiction · Literary fiction
About 6 h 45 min · at 30 minutes a day, about 14 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
Married for twenty-eight years, Maggie and Ira Moran leave Baltimore for a friend's funeral in Deer Lick, Pennsylvania. Maggie is determined to reunite their son Jesse with his former wife, Fiona, whose daughter she misses; Ira, a frame-shop owner accustomed to his wife's matchmaking, doubts her plans. Their quarrels and detours open into memories of raising children and abandoning ambitions, as each spouse recalls a different version of their life together.
Funny and rueful, the literary novel follows a single day through frequent returns to the past. Its domestic encounters take priority over forward momentum, and Maggie meddles affectionately. There is some brief, non-graphic on-page sex.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Canonical
336 pages in the Vintage 2005 paperback edition.
Vintage · 2005 · Paperback. ISBN 9780345485571.
About 6 hours 45 minutes at 50 pages an hour, based on the 336-page Vintage edition. Dense books can take longer.
Anne Tyler is an American novelist, short story writer, and critic whose career includes twenty-five novels. Her fiction is rooted in close observation of family life, often in Baltimore, and in the private habits through which people manage disappointment, grief, and attachment. Dinner at the Homesick Restaurant shows siblings carrying incompatible versions of the same childhood, while Breathing Lessons finds comedy and strain within a long marriage. In The Accidental Tourist, routine becomes both refuge and constraint. Tyler’s characteristic mode combines direct, descriptive prose with conversational dialogue and understated wit. She is especially attentive to the way affection and irritation coexist, and to how households preserve old roles even as their members try to change. Her working methods join imaginative absorption with careful planning: she has described concentrating on characters through a form of daydreaming, while also drawing house plans and charting their histories. This balance of looseness and precision gives her domestic worlds their quiet density.

