How long is it?
304 pages in the Random House Trade Paperbacks 2006 paperback edition.

Fiction · Novel · Literary Fiction · Romance
About 6 h · at 30 minutes a day, about 13 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
In London to collect children's playground rhymes, American professor Vinnie Miner considers England her spiritual home and dismisses Chuck Mumpson, the Oklahoma tourist she meets on the flight. His search for English ancestors brings them together again, and her disdain complicates an unexpected attraction. Meanwhile, her younger colleague Fred Turner, researching John Gay while separated from his wife, falls for actress Rosemary Radley and enters a social world he barely understands.
The narration alternates between the professors, dryly exposing the self-deceptions behind their romantic embarrassments. It's a literary comedy of manners, alert to loneliness beneath social pretensions and frank about adult desire without graphic sexual detail.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Canonical
304 pages in the Random House Trade Paperbacks 2006 paperback edition.
Random House Trade Paperbacks · 2006 · Paperback. ISBN 9780812976311.
About 6 hours at 50 pages an hour, based on the 304-page Random House Trade Paperbacks edition. Dense books can take longer.
Alison Lurie was an American novelist and academic whose fiction often places professors inside sharply observed comedies of manners. She uses wit, social embarrassment, and competing points of view to examine vanity, desire, and the stories educated people tell about themselves. Foreign Affairs follows two American academics in London through parallel romantic and professional disruptions, testing their ideas about England against daily loneliness and misjudgment. Lurie also wrote criticism on children’s literature and dress. In The Language of Clothes, she draws on history, sociology, psychology, and anthropology to interpret fabric, color, cut, and formality as signs of status, allegiance, aspiration, and concealment.