How long is it?
208 pages in the Vintage 1999 paperback edition.

About 4 h 15 min · at 30 minutes a day, about 9 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
Composer Clive Linley and newspaper editor Vernon Halliday meet at the London funeral of Molly Lane, whom both once loved. Frightened by her rapid decline, they agree that each will help the other die if illness leaves him helpless. Clive has a millennium symphony to finish, while Vernon sees private photographs of foreign secretary Julian Garmony as a chance to rescue his struggling newspaper and damage a politician he despises, provoking a disagreement between the friends.
Brisk and darkly comic, the novel treats artistic ambition, newspaper ethics and moral self-justification with satirical detachment. Its characters’ self-serving arguments can be funny; warmth is scarce.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Highly regarded
208 pages in the Vintage 1999 paperback edition.
Vintage · 1999 · Paperback. ISBN 9780385494243.
About 4 hours 15 minutes at 50 pages an hour, based on the 208-page Vintage edition. Dense books can take longer.
Ian McEwan is a British novelist and screenwriter whose career began with sparse, Gothic short fiction and early novels of domestic menace. The Cement Garden helped establish that unsettling mode, but his later work widened considerably in setting and form. He has written about childhood imagination in The Daydreamer, moral error and narrative responsibility in Atonement, intimacy and social constraint in On Chesil Beach, and artificial intelligence in Machines Like Me. McEwan is distinguished by precise prose and firm formal control. He often builds a novel around a charged decision or misunderstanding, then follows its effects through relationships and across time. His fiction ranges from Gothic unease and historical narrative to satire and speculative thought experiments, while repeatedly examining the distance between private motives and public consequences. His interest in science is integral to this method: he treats scientific and literary inquiry as related ways of investigating human nature.
