Books by
Robert Jordan
Books and reading profiles.
About the author14 books
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Apple Books
1990Fiction
814 pages · print
Atmospheric · Variable pace
Apple Books
1991Fiction
595 pages · print
Atmospheric · Moderate pace
Apple Books
1992Fiction
704 pages · print
Atmospheric · Variable pace
Apple Books
1993Fiction
702 pages · print
Dense · Variable pace
Apple Books
1994Fiction
1,011 pages · print
Atmospheric · Measured pace
Apple Books
1998Fiction
528 pages · print
Atmospheric · Slow pace
Apple Books
2000Fiction
668 pages · print
Atmospheric · Measured pace
Apple Books
2003Fiction
700 pages · print
Atmospheric · Slow pace
Apple Books
2004Fiction
334 pages · print
Atmospheric · Moderate pace
Apple Books
2005Fiction
752 pages · print
Atmospheric · Variable pace
Apple Books
Fiction
684 pages · print
Atmospheric · Variable pace
Apple Books
Fiction
416 pages · print
Atmospheric · Moderate pace
Apple Books
Fiction
653 pages · print
Atmospheric · Variable pace
Apple Books
Fiction
352 pages · print
Descriptive · Brisk pace
About Robert Jordan
Robert Jordan wrote epic fantasy on a continental scale, using direct, descriptive prose to keep elaborate histories, cultures, and systems of power legible. His characteristic structure begins with pursuit or quest, then divides the cast among parallel journeys whose consequences gradually meet. The Eye of the World moves from the rural Two Rivers into a larger struggle through flight, separation, and reunion, establishing his habit of revealing the world as his characters cross it. In The Great Hunt and The Shadow Rising, private choices become entangled with prophecy, institutional loyalties, and competing versions of history. As The Wheel of Time expands, rulers, armies, religious orders, and channelers all try to guide or contain Rand al’Thor, while other protagonists acquire distinct political and personal burdens. Jordan often builds momentum by alternating travel, negotiation, training, siegecraft, and sudden violence rather than driving toward a single uninterrupted action line. His earlier Conan the Barbarian novels show the adventure-writing foundation beneath this broader method, with danger and movement carrying readers through dense world-building.
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