Books by
Neil Gaiman
Books and reading profiles.
About the author15 books
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Apple Books
1998Fiction
250 pages · print
Atmospheric · Brisk pace
Apple Books
2001Fiction
592 pages · print
Atmospheric · Variable pace
Nebula Award for Best Novel
Hugo Award for Best Novel
Locus Award for Best Fantasy Novel
Bram Stoker Award for Novel
Apple Books
2002Fiction
162 pages · print
Atmospheric · Brisk pace
Nebula Award for Best Novella
Hugo Award for Best Novella
Locus Award for Best Young Adult Book
Bram Stoker Award for Best Work for Young Readers
Apple Books
2006Fiction
483 pages · print
Atmospheric · Variable pace
Locus Award for Best Collection
Apple Books
2008Fiction
312 pages · print
Atmospheric · Moderate pace
Hugo Award for Best Novel
Locus Award for Best Young Adult Book
Newbery Medal
Apple Books
2013Fiction
288 pages · print
Atmospheric · Moderate pace
Locus Award for Best Fantasy Novel
Apple Books
Fiction
400 pages · print
Atmospheric · Moderate pace
Apple Books
Fiction
103 pages · print
Dialogue-driven · Brisk pace
Apple Books
Nonfiction
275 pages · print
Conversational · Brisk pace
Apple Books
Nonfiction
80 pages · print
Conversational · Brisk pace
Apple Books
Nonfiction
752 pages · print
Academic · Measured pace
Apple Books
Fiction
370 pages · print
Atmospheric · Brisk pace
Apple Books
Fiction
119 pages · print
Direct · Brisk pace
Apple Books
Book
400 pages · print
Dialogue-driven · Brisk pace
Apple Books
Nonfiction
732 pages · print
Conversational · Variable pace
About Neil Gaiman
Neil Gaiman is an English writer whose work ranges across novels, short fiction, comics, screenplays, and audio drama. His fantasy often begins in a recognizable world, then opens a passage into an older, stranger order governed by bargains, hidden rules, and stories that have outlived their origins. He writes in direct, descriptive prose, shifting easily between gothic atmosphere and dry comedy. Coraline turns a locked door and a dull afternoon into a tightly paced confrontation with a button-eyed counterfeit family, making domestic comforts the machinery of danger. American Gods works on a broader scale. Its road-novel structure carries Shadow through small-town mysteries and encounters with diminished old gods, linking myth to belief, grief, and the American landscape. In Good Omens, multiple plotlines converge on a misplaced Antichrist while conversational wit reduces heavenly and infernal powers to fallible bureaucracies. Gaiman repeatedly gives children, outsiders, and displaced figures the task of learning how adjacent worlds operate, and how to move between them without mistaking enchantment for safety.
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