Books by
Judy Blume
Books and reading profiles.
About the author15 books
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Apple Books
1957Fiction
199 pages · print
Conversational · Moderate pace
Apple Books
1970Fiction
149 pages · print
Conversational · Moderate pace
Apple Books
1971Fiction
47 pages · print
Conversational · Brisk pace
Apple Books
1971Fiction
150 pages · print
Conversational · Moderate pace
Apple Books
1972Fiction
138 pages · print
Conversational · Brisk pace
Apple Books
1972Fiction
132 pages · print
Conversational · Brisk pace
Apple Books
1973Fiction
143 pages · print
Conversational · Moderate pace
Apple Books
1974Fiction
153 pages · print
Conversational · Brisk pace
Apple Books
1977Fiction
298 pages · print
Conversational · Moderate pace
Apple Books
1981Fiction
221 pages · print
Conversational · Measured pace
Apple Books
2002Fiction
180 pages · print
Conversational · Brisk pace
Apple Books
Fiction
146 pages · print
Conversational · Brisk pace
Apple Books
Fiction
195 pages · print
Conversational · Moderate pace
Apple Books
Fiction
166 pages · print
Conversational · Brisk pace
Apple Books
Fiction
288 pages · print
Conversational · Moderate pace
About Judy Blume
Judy Blume writes fiction for children, adolescents, and adults, with a sustained interest in the private worries that accompany growing up. Her prose is direct and conversational, and she typically stays close to a young person’s partial understanding of family, friendship, sex, belief, and the body. Embarrassment and uncertainty emerge through ordinary exchanges and accumulating domestic incidents rather than elaborate plots. In Are You There God? It’s Me, Margaret, questions about menstruation, social belonging, and religion share the same scale because each bears directly on Margaret’s sense of herself. Forever... follows a teenage relationship through physical intimacy and separation, treating sex as an emotional and practical matter while allowing Katherine’s understanding of love to change. Blume also works in a brisk comic register. Tales of a Fourth Grade Nothing builds its sibling rivalry from Peter Hatcher’s exasperated narration and Fudge’s escalating disruptions, while keeping Peter’s resentment and attachment in view. Her characteristic method is to respect childhood concerns by rendering them at full size, in language that remains clear, specific, and alert to awkwardness.
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