How long is it?
272 pages in the Penguin Books 1983 paperback edition.

Fiction · Novel · Literary Fiction · Political Fiction
About 5 h 30 min · at 30 minutes a day, about 11 days
Estimated from the page count of this edition. Dense books can take longer than the estimate.
Mehring, a wealthy white businessman in apartheid-era South Africa, has bought a farm as an investment and a retreat from city life. He wants a sense of belonging, but the Black workers who maintain the property understand its daily demands far better than he does. His relationships with his son and mistress expose a similar gap between the authority he assumes and the attachment his money can secure.
Dense and inward, the novel follows Mehring's wandering thoughts, folding remembered conversations into the present without always signaling the transition. It requires concentration, and much of the action is psychological. Racism and sexual assault are part of its portrait of entitlement.
Collected’s assessment, not reader ratings. Complexity runs from 1 (least demanding) to 5 (most demanding).
Canonical
272 pages in the Penguin Books 1983 paperback edition.
Penguin Books · 1983 · Paperback. ISBN 9780140047165.
About 5 hours 30 minutes at 50 pages an hour, based on the 272-page Penguin Books edition. Dense books can take longer.
Nadine Gordimer was a South African novelist and short-story writer whose career was closely engaged with the moral and political life of her country. Her fiction returns persistently to apartheid, race, love, and the unequal distribution of power, but approaches these subjects through the pressures they place on ordinary lives rather than through simple declarations. Gordimer’s characters are often defined less by stated convictions than by choices made under strain, a method that allows political conflict and private attachment to expose each other’s compromises. July’s People reverses the familiar social order by making a white family dependent on their former Black servant after apartheid’s collapse, while Burger’s Daughter examines the burden of inheriting a family’s revolutionary commitments. Across such work, dense, sometimes lyrical prose and close attention to relationships sustain an alertness to ambiguity. Her political engagement also had direct consequences: Burger’s Daughter was banned under apartheid.