Books by
Brandon Sanderson
Books and reading profiles.
About the author15 books
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Apple Books
2005Fiction
638 pages · print
Descriptive · Moderate pace
Apple Books
2008Fiction
572 pages · print
Atmospheric · Brisk pace
Apple Books
2009Fiction
676 pages · print
Descriptive · Variable pace
Apple Books
2010Fiction
1,258 pages · print
Atmospheric · Variable pace
Apple Books
2011Fiction
332 pages · print
Conversational · Brisk pace
Apple Books
2012Fiction
184 pages · print
Atmospheric · Moderate pace
Hugo Award for Best Novella
Apple Books
2013Fiction
416 pages · print
Conversational · Fast pace
Apple Books
2014Fiction
1,104 pages · print
Atmospheric · Variable pace
Apple Books
2016Fiction
272 pages · print
Conversational · Brisk pace
Apple Books
2017Fiction
1,328 pages · print
Atmospheric · Variable pace
Apple Books
2018Fiction
513 pages · print
Conversational · Fast pace
Apple Books
Fiction
655 pages · print
Descriptive · Brisk pace
Apple Books
Fiction
1,136 pages · print
Descriptive · Variable pace
Apple Books
Fiction
383 pages · print
Conversational · Brisk pace
Apple Books
Fiction
640 pages · print
Descriptive · Variable pace
About Brandon Sanderson
Brandon Sanderson is an American writer of high fantasy, science fiction, and young adult fiction whose largest series share the Cosmere universe. His novels favor direct, descriptive prose, dialogue-driven scenes, elaborate settings, and plots built around supernatural systems with intelligible rules. Mistborn makes that method literal: its Allomancers ingest and burn metals for distinct powers, while a rebellion against an immortal ruler proceeds through the mechanics of a confidence game and heist. Sanderson often enlarges private tests of trust into questions of government, religion, and historical memory. The later struggle to govern the Final Empire’s remains turns magical combat into part of a siege and a dispute over political legitimacy. In The Stormlight Archive, he works on a broader scale, rotating among soldiers, scholars, rulers, and assassins whose separate plots gradually converge. The Way of Kings sets apprenticeship, enslavement, and moral conflict against war and recurring highstorms, while subsequent volumes widen the field to contested histories and alliances among kingdoms.
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